片名:《臥龍戰(zhàn)警》

類型:動作片

上映時間:1992

上映地區(qū):美國

導演:比爾·杜克

主演:勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯

集數(shù): 完結(jié)

語言:英語

動作片臥龍戰(zhàn)警由演員勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯精彩表演，臥龍戰(zhàn)警講述了一段感人的故事。臥龍戰(zhàn)警動作片由知名導演比爾·杜克指導拍攝，臥龍戰(zhàn)警的影片鏡頭完美，臥龍戰(zhàn)警的劇情千回百轉(zhuǎn)，臥龍戰(zhàn)警的精彩片段膾炙人口，臥龍戰(zhàn)警讓人夸夸其談。臥龍戰(zhàn)警上映于1992年，臥龍戰(zhàn)警在上映地區(qū)美國受到大家喜歡，而成為熱門電影。臥龍戰(zhàn)警的評分達到7.0分，所以臥龍戰(zhàn)警是一部優(yōu)秀的動作片。

臥龍戰(zhàn)警劇情講述了:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.。