片名:《癡心女子負(fù)心郎1948》

類型:劇情片

上映時間:1948

上映地區(qū):美國

導(dǎo)演:劉易斯·艾倫

主演:雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德

集數(shù): 完結(jié)

語言:英語

劇情片癡心女子負(fù)心郎1948由演員雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德精彩表演，癡心女子負(fù)心郎1948講述了一段感人的故事。癡心女子負(fù)心郎1948劇情片由知名導(dǎo)演劉易斯·艾倫指導(dǎo)拍攝，癡心女子負(fù)心郎1948的影片鏡頭完美，癡心女子負(fù)心郎1948的劇情千回百轉(zhuǎn)，癡心女子負(fù)心郎1948的精彩片段膾炙人口，癡心女子負(fù)心郎1948讓人夸夸其談。癡心女子負(fù)心郎1948上映于1948年，癡心女子負(fù)心郎1948在上映地區(qū)美國受到大家喜歡，而成為熱門電影。癡心女子負(fù)心郎1948的評分達(dá)到2.0分，所以癡心女子負(fù)心郎1948是一部優(yōu)秀的劇情片。

癡心女子負(fù)心郎1948劇情講述了:

　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.