片名:《阿里與艾娃》

類型:愛(ài)情片

上映時(shí)間:2021

上映地區(qū):英國(guó)

導(dǎo)演:克里歐·巴納德

主演:阿迪勒·阿赫塔爾,克萊爾·拉什布魯克,梅西·夏克敦,肖恩·托馬斯,Thomas Skelly,Isaac Gale,Travis Liversidge,Elliott Liversidge,埃洛拉·托爾基亞,Vinny Dhillon,Runa Begum,Ryan Hall,Barnabás Bodor,Ariana Bodorová,Fatima Bodorová,Sarlota Nagyov

集數(shù): 完結(jié)

語(yǔ)言:英語(yǔ)

愛(ài)情片阿里與艾娃由演員阿迪勒·阿赫塔爾,克萊爾·拉什布魯克,梅西·夏克敦,肖恩·托馬斯,Thomas Skelly,Isaac Gale,Travis Liversidge,Elliott Liversidge,埃洛拉·托爾基亞,Vinny Dhillon,Runa Begum,Ryan Hall,Barnabás Bodor,Ariana Bodorová,Fatima Bodorová,Sarlota Nagyov精彩表演，阿里與艾娃講述了一段感人的故事。阿里與艾娃愛(ài)情片由知名導(dǎo)演克里歐·巴納德指導(dǎo)拍攝，阿里與艾娃的影片鏡頭完美，阿里與艾娃的劇情千回百轉(zhuǎn)，阿里與艾娃的精彩片段膾炙人口，阿里與艾娃讓人夸夸其談。阿里與艾娃上映于2021年，阿里與艾娃在上映地區(qū)英國(guó)受到大家喜歡，而成為熱門(mén)電影。阿里與艾娃的評(píng)分達(dá)到1.0分，所以阿里與艾娃是一部?jī)?yōu)秀的愛(ài)情片。

阿里與艾娃劇情講述了:

　　Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.
　　A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?
　　Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.